Andrea B. Del Guercio
Sculpture’s own hands I have come to connect Pino Di Gennaro and his work to music and singing; in the years we worked together at Brera, every time I received
Carlo Franza
The Organic Symbolism of Pino Di Gennaro Pino Di Gennaro (b. 1951) is a clearly established sculptor, he moved to Milan at a very young age, towards the end of
Excerpts from various art critics
Gateano CristinoFrom Pino Di Gennaro: The Arcane Metamorphosis of Materials The sculpture of Pino Di Gennaro is characterised by shapes and spaces in which questions, memories, desires and prayers coagulate.
Giuseppe Di Napoli
The art of sculpting colour The stages through which Pino Di Gennaro, as a sculptor, develops and completes his work resemble those of a morphogenetic process. As such, we can
Jacqueline Ceresoli
The sky at my fingertips Pino Di Gennaro’s solo exhibition, held for the twentieth anniversary of the Previtali Gallery in Milan, takes its title from his sculpture The sky at
Luca Cavallini
SE If (‘Se’). Condensed in a single word, as short as it is rich in meaning, Barbara Pietrasanta and Pino Di Gennaro’s title for their exhibition at the Permanente contains
Patrizia Mai
The bee house Sculptures of journeying thoughts A vital movement that pervades us, though we may not know it,a deposit of concealed memory, an attempt to unhinge the brakesthat bind
Rossana Bossaglia
Between Nature and Science If there are still people who believe in the presumption that artistic creativity depends on an instinctive impulse, that has no relationship with logics, the intellectual
Simona Bartolena
The studio of sculptor Pino di Gennaro is located in a charming and unexpected corner of the countryside in the middle of the city: a green oasis that the height
Vittorio Sgarbi
Pino Di Gennaro’s themes bring to light with immediacy utterly original and autonomous visual results. We are talking here of a plastic art that presents a relevant variety of solid,